2030: YOUR BUSINESS IS DYING...

...Because You Didn’t Hire Enough Humanities Graduates...

Critical and contextual thinking are the new superpowers!

Walk the halls of any failing organization in 2030 and you will see the same patterns: brilliant engineers with no sense of context; marketing departments drowning in dashboards, but blind to meaning; and leaders who can’t connect decisions to human experience.

The tragedy isn’t lack of intelligence...but lack of perspective.

For years, executives doubled down on “hard skills.” They thought: “Hire more coders. Scale the analysts. Push productivity through process.” And yet, here we are: disengaged employees, customers who don’t feel understood or valued, and cultures that suffocate innovation.

What organizations (and their leaders) missed is that human beings drive business, not algorithms or workflows. And human beings are messy, contradictory, and infinitely complex. To make sense of that complexity requires something more than efficiency metrics. It requires context, empathy, narrative, and the ability to hold multiple truths at once.

Complex problems need people who are energized by tackling big, complex challenges.
— Bob Batchelor

This is precisely what the Humanities teach. Graduates who have wrestled with history, philosophy, literature, creative writing, or art bring more than cultural awareness. They bring tools for thinking systemically, questioning assumptions, and connecting disparate dots. They can spot patterns across centuries, frame ethical dilemmas in ways that unlock better strategy, and articulate meaning when others only see noise.

The Authentic Leader argues that leadership is ultimately about one question: Are we helping people? Leaders who can’t answer that—who can’t even see it—build organizations that crumble when faced with complexity. Humanities graduates, by training, are equipped to keep asking that question, even when the numbers look good on the quarterly report.

This is not an argument against technology, finance, or engineering talent. Rather, it is a call for balance. If you want to future-proof your business, you need people who can code and people who can contextualize. People who can design systems and people who can challenge their consequences. Professionals who can solve problems and people who can imagine futures worth solving for.

Ignore this at your peril.

The companies that thrive in 2030 won’t be those with the most data. Instead, think of a future in which leaders and teams know what the data means for human lives. Complex problems need people who are energized by tackling big, complex challenges.

The EAT Model created by Bob Batchelor

Bob Batchelor is an Assistant Professor in the Department of Communication, Media, & Culture at Coastal Carolina University. He is a critically-acclaimed, bestselling cultural historian and biographer. He has published widely on American cultural history and literature, including Stan Lee: A Life and books on The Doors, Bob Dylan, The Great Gatsby, Mad Men, and John Updike. Batchelor earned his doctorate in English Literature from the University of South Florida.

THE EAT MODEL: UNDERSTANDING CELEBRITY BRANDING THROUGH A CULTURAL LENS

Culture is not a noun — it’s a verb. Something that happens to us, and that we, in turn, help create.

When I began studying American culture decades ago, I noticed something: most scholars and cultural commentators described popular culture as if it were an object. A thing you could hold up and label — a Picasso painting, a baseball card, a Marvel comic book.

While this approach had value for cataloging and analysis, it missed the spark. The real action of culture is not static; it’s dynamic. Popular culture is not just the object itself — it’s the rush of feeling when you hear a song for the first time, the charge of energy in a crowded theater as the lights dim, or the sense of belonging when you put on your favorite team’s jersey.

Culture is not a noun — it’s a verb. Something that happens to us, and that we, in turn, help create.

This shift in perspective — from static to dynamic — led me to develop the EAT Model: Engage, Adapt, Transform. Initially born from my work as a cultural historian, the model captures how culture is lived and experienced, and how brands — particularly celebrity brands — generate lasting meaning.

The EAT model captures how culture is lived and experienced, and how brands — particularly celebrity brands — generate lasting meaning.

Engage: Creating the Spark

Every enduring celebrity brand begins with Engage. Engagement is the spark — that first connection that makes someone stop, look, and feel something.

This isn’t simply visibility. True engagement hits on an emotional frequency. Think about Robert Downey Jr.’s emergence as Iron Man. He wasn’t just another actor in a superhero role. His personal story of struggle, redemption, and charisma aligned perfectly with the Marvel cinematic moment. Fans weren’t just buying tickets for Iron Man; they were buying into the Downey comeback narrative.

Starbucks achieved something similar when it became more than a coffee company. In my research with Kaitlin Krister Schrock, we coined the term radical sociodrama to describe how Starbucks acts as a stage where customers perform aspects of their identity. The company went far beyond selling coffee. Starbucks created a lifestyle cue, a way to project taste, refinement, and belonging.

Engagement, then, is more than grabbing attention. The focus is on connecting in a way that makes the audience feel seen and understood — the necessary ignition point for everything that follows.

Adapt: The Bridge Between Engagement and Transformation

Most people think “adapt” means simply react to change — adjust your schedule, update your branding, follow a trend because it’s gaining attention. That’s part of it. However, in the EAT Model, Adapt is much richer and more integrated.

Adapt is the bridge between engagement and transformation. It’s where what you have connected with externally meets the shifts happening internally — in your mindset, values, and identity — and the two reshape each other.

This is the visible, situational adjustment:

  • A musician evolves their sound to reflect changing cultural tastes.

  • A company updates its messaging in response to a social shift.

  • A public figure refines their tone after a major life change or cultural event.

This kind of adaptation is responsive, but rooted in what came before — the surface expression of something deeper.

This is where Adapt becomes transformational in its own right:

  • Reframing perspectives — The change outside prompts a shift in how you see the world.

  • Integrating new meaning — You update your internal “why” to align with new realities.

  • Evolving identity — You absorb external input in a way that reshapes who you are and how you’ll approach the future.

Robert Downey Jr.’s post-Iron Man career illustrates both. Externally, he capitalized on the Marvel platform with smart role choices. Internally, he reframed his public identity from “Hollywood cautionary tale” to “creative force and philanthropist,” weaving his hard-earned credibility into every project.

Starbucks, too, has continually adapted both externally and internally. It didn’t just localize menus overseas; it rethought what “the Starbucks experience” meant in cultures with different coffee traditions, integrating those insights back into the brand’s global identity.

Adapt is not “bend so you don’t break.” It’s “absorb, integrate, and evolve,” so that the transformation that follows is authentic, sustainable, and resonant.

Transform: Moving From Brand to Cultural Force

The third stage — Transform — is where a brand transcends category and becomes part of the cultural fabric. This is where a celebrity or brand moves beyond selling products or performances to influencing values, beliefs, and identity.

For example, Oprah Winfrey transformed from talk-show host to cultural institution by consistently connecting her brand to personal growth, empathy, and shared experience. LeBron James transformed from basketball superstar to social advocate and education innovator.

But transformation has a double edge. When celebrity branding becomes about visibility for its own sake, it can erode trust, polarize communities, and hollow out the very connections it set out to build. The EAT Model challenges us to ask: What are we transforming into? Are we creating deeper connection and shared meaning, or reinforcing division and performance over substance?

Why the EAT Model Matters in a Celebrity-Obsessed Age

In today’s world, celebrity branding is not limited to entertainers or athletes. Social media has turned “being a brand” into a cultural expectation. CEOs, educators, nonprofit leaders, and even students are urged to curate their personal brand.

There are benefits to this — clarity, connection, and influence — but also costs, including self-censorship, constant performance, and the pressure to measure worth in clicks and likes.

The EAT Model offers a roadmap for navigating this landscape. It’s not a checklist, but turns thinking about branding and thought leadership into a mindset that recognizes cultural connection as a living, participatory process.

Applying the EAT Model

Whether you’re a celebrity, an emerging entrepreneur, or someone simply looking to build a meaningful personal presence, the EAT Model offers three clear imperatives:

  1. Engage — Spark emotional connection that makes people feel seen.

  2. Adapt — Balance external responsiveness with internal recalibration, so your evolution is both strategic and authentic.

  3. Transform — Create meaning that lasts, shaping not just transactions, but the cultural conversations people care about.

When applied with intention, this framework can help avoid the traps of superficial branding and focus instead on the power of authentic cultural influence.

The Cultural Historian’s Edge

Why approach celebrity branding through a historian’s eyes? Because history reveals the patterns: the way branding has evolved from product marks to cultural symbols, and how engagement, adaptation, and transformation have driven that evolution.

History reveals the patterns: the way branding has evolved from product marks to cultural symbols, and how engagement, adaptation, and transformation have driven that evolution.

From the rise of early consumer icons to global mega-brands, the same cultural mechanics repeat. Understanding these changes allows you to see where branding is going next, not just where it has been.

The EAT Model is my way of translating decades of cultural insight into a tool for today’s world — one that helps us connect, evolve, and lead without losing sight of the values that make connection meaningful in the first place.

For more on the EAT Model and celebrity branding, listen to “Theories of Celebrity Branding” wherever you like to listen to podcasts. Tune in here.

UNPACKING FAME, INFLUENCE, AND IDENTITY: WHY "THEORIES OF CELEBRITY BRANDING" MATTERS NOW MORE THAN EVER

The intersection of identity, media, and influence isn’t simply noise or distraction—it’s a language. Learning how to decode that language is a critical skill for anyone navigating the modern media ecosystem.

“Theories of Celebrity Branding” — A podcast and university course, hosted by award-winning cultural historian Bob Batchelor

From red carpets to YouTube thumbnails, Super Bowl commercials to podcast interviews, we live in a world shaped by celebrity. We don’t just consume culture—we consume people: their stories, values, failures, and reinventions. This intersection of identity, media, and influence isn’t just noise or distraction—it’s a language. And learning how to decode that language is a critical skill for anyone navigating the modern media ecosystem.

Understanding the value of branding and branding history, I launched Theories of Celebrity Branding, a podcast and online (asynchronous) course designed to explore the cultural machinery behind fame, influence, and branding in the 21st century. Whether you are a college student preparing for a communications career or a seasoned marketer wrestling with the pace of change, this podcast series offers insights into how personal and public identities are built, managed, and monetized today. And, what better way to get at branding and celebrity than to analyze it in an online course.

A Podcast That Decodes the Culture of Celebrity

The podcast version of Theories of Celebrity Branding is not just a catchy way to deliver lectures in an online course —it’s a cultural myth lab.

Each episode explores big ideas about branding, storytelling, media evolution, and leadership through the lens of celebrity. But this isn’t about tabloids or gossip. The podcast focuses on examining why Taylor Swift’s rebranding worked, how Oprah Winfrey built generational trust, and what role AI is playing in shaping how we define identity, authorship, and authenticity.

We tackle topics like:

  • The globalization of branding and how companies like Kimberly-Clark reframe messaging for global markets.

  • The evolution of thought leadership and how public figures like Brené Brown and LeBron James use storytelling to build emotional resonance.

  • The ethics of AI-generated content in a world of deepfakes and algorithmic curation.

  • How creators like Cecilia Blomdahl or bands like The Hot Sardines use social platforms to craft global personal brands.

Each episode integrates academic theory with real-world experience—from advising C-suite leaders to writing bestselling books like Stan Lee: A Life, The Gatsby Code, and The Authentic Leader.

The result? A podcast that doesn’t just explain celebrity branding—it empowers you to understand your own story and how to share it effectively.

📚 A Course That Prepares Students for the Real World

While the podcast is open to everyone, it runs parallel to the course I teach at Coastal Carolina University in the Department of Communication, Media, and Culture, also named Theories of Celebrity Branding.

Offered both in summer and in Fall 2025, this class pushes students to think critically about fame, media, influence, and identity. It’s not just theory—it’s strategic communication, media literacy, popular culture, history, marketing, and career development rolled into one.

Students learn to analyze how influence is created and sustained—and how they can develop values-based personal brands of their own.

We dive deep into my EAT ModelEngage, Adapt, Transform—and use tools like ChatGPT and Canva AI to prototype messaging and audience engagement strategies.

Stan Lee: A Life by Bob Batchelor; Foreword by Tom DeLonge of Blink-182 and To The Stars

The course isn’t about using AI to replace creativity—instead we focus on enhancing creation while staying rooted in cultural awareness, storytelling, and human empathy.

Why This Podcast and Course Matters

If you’ve read my books—like The Authentic Leader, Stan Lee: A Life, or Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties—you know that I’m fascinated by how media, identity, and storytelling shape the modern world. This podcast and class bring those interests to life in real time.

This podcast doesn’t just explain celebrity branding, it empowers you to understand your own story and how to share it effectively.
— Bob Batchelor

Today, anyone with a smartphone can become a brand. But that means the ability to think critically about representation, influence, and authenticity is more important than ever.

This project gives students and listeners the tools to navigate—and lead—in this complex space.

What’s Next?

If you’re a student in my class—welcome. This podcast is your toolkit, guide, and creative prompt.

If you’re a communication professional, educator, marketer, or curious listener—Theories of Celebrity Branding will give you an insider view into how cultural identities are formed, challenged, and transformed.

👉 Listen now on Spotify
👉 Follow me on LinkedIn
👉 Explore upcoming courses at Coastal Carolina
👉 Learn more about me and my books

New episodes drop regularly on Spotify, Apple Podcasts, and wherever you listen.

🎧 Subscribe.
🧠 Think deeply.
📢 Tell your story.
🔥 Lead with purpose.

We’re just getting started.

WRITING TIPS TO BEGIN YOUR BOOK JOURNEY

Every author’s journey begins the same way: with a blank page and a glimmer of an idea. For aspiring nonfiction writers—and anyone who feels the tug of a story inside them—the hardest part is often starting. Whether you are a pop culture aficionado, would-be biographer, or someone drawn to capturing history, there is no perfect moment to begin your book.

You just start.

My own writing journey began in a high school newsroom, writing columns and dreaming of the bylines I might someday see in glossy magazines. I came of age in a college town (Slippery Rock, PA, home of Slippery Rock University) where professors and ideas swirled around me. Writing felt aspirational. A cherished teacher—Martha Campbell—rewarded my hard work with a sports column featuring my work: “Batchelor’s Bench.” I loved writing that column and holding our small high school newspaper in my hands.

As a college student, I sent essays to publications that were way out of my league. The rejections piled up, but the process enabled me to slowly build confidence with each reply—published or not. Every so often, there would be a kind note or something that looked like more than a stamped “rejection.” Those were glorious days!

About a decade later, by the time I wrote The 1900s (Greenwood, 2002), I approached it from a researcher’s mindset. I had yet to fully develop my narrative voice, let alone the courage to let it rise on the page. The 1900s, though, served as a foundation: meticulous research, structural discipline, and an unwavering commitment to learning during the writing process.

If you’re just beginning your book journey, here are five essential tips drawn from my own experience:

1. Establish a Writing Rhythm That Works for You

Life is demanding. Your writing process should complement—not fight—your daily responsibilities. Consistency, not volume, builds momentum. Even 20 minutes a day adds up.

2. Start with a Strong Outline

Before I write a word, I create a detailed Table of Contents. For nonfiction, this map is critical. Think deeply about how you plan to open each chapter—those first lines carry a lot of weight.

3. Don’t Believe in Writer’s Block

Writing is work. Work requires discipline. When I feel creative fatigue, I don’t panic. Instead, I switch gears. Reading for pleasure, often on my Kindle, lets me absorb ideas passively and recharges my creative energy.

4. Let Your Curiosity Drive the Research

Even after I have started writing, I keep researching. Every new detail might unlock a better sentence, a sharper insight, or a deeper connection. Curiosity is your most sustainable writing fuel.

5. Experiment with Storytelling Techniques

In The Bourbon King, I explored a postmodern style in one chapter to capture the extravagance of George Remus’ legendary New Year’s Eve party. Creative nonfiction allows room for innovation…even in history-heavy narratives.

The Bourbon King by cultural historian Bob Batchelor

Most importantly, allow yourself time to grow. The voice you find in your first book might surprise you. It should.

To support your own writing journey, keep reading widely and learning from others. Books like The Bourbon King or Stan Lee: A Life can be models—narrative-driven nonfiction that brings culture, history, and people to vivid life. You can find these and other inspiring reads on Amazon and even save a bit with these offers.

Stan Lee: A Life by Bob Batchelor

So what are you waiting for? Open that document. Name your project.

Take the first step. Your book is waiting.




I use Amazon affiliate links on this site—mainly links to books or other cool things. And if you buy via my links, it supports the site with no extra cost to you. This is a contributed post and may contain affiliate links. I was compensated for this post, but reviewed it and regard the article as a natural fit for my readers.

THE GATSBY CODE: A CENTURY OF DREAMS AND DISILLUSION -- PRE-ORDER EBOOK

In The Gatsby Code, cultural historian Bob Batchelor—award-winning author of acclaimed biographies and expert on American mythmaking—offers a masterful deep dive into one of literature’s most enduring icons: Jay Gatsby. As The Great Gatsby turns 100, Batchelor delivers a revelatory chronicle of the novel’s past, present, and future impact, weaving cultural history, literary analysis, and philosophical inquiry into a riveting exploration of why Gatsby still matters.

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THE AUTHENTIC LEADER: FAQs

The Authentic Leader: The Power of Deep Leadership in Work and Life by award-winning cultural historian and biographer Bob Batchelor explores the concept of deep leadership, which emphasizes authenticity, transparency, and empathy in the workplace and beyond. Batchelor argues that traditional leadership models, often characterized by command-and-control styles, are no longer effective in today's rapidly changing work environments.

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BOB BATCHELOR LAUNCHES NEW PUBLISHING VENTURE: TUDOR CITY BOOKS

International bestselling author Bob Batchelor, renowned for his expertise in cultural history and biography, has launched Tudor City Books, a new publishing company headquartered in Raleigh, North Carolina. Specializing in a range of subjects, including crime fiction, entertainment and pop culture history, memoir, and biography, Tudor City Books aims to bring exceptional works to a broader audience.

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ROADHOUSE BLUES: MORRISON AND THE DOORS LIKE YOU'VE NEVER SEEN BEFORE!

Reviews of ROADHOUSE BLUES

 Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties won the 2023 IPA Book Award in Music and has been lauded by critics, readers, and Doors aficionados across the globe.

2023 Independent Press Award for Roadhouse Blues

REVIEWS

“Fascinating, informative, extraordinary, and essential reading for the legions of Jim Morrison fans.” – Midwest Book Review

“Bob Batchelor writes with great eloquence and insight about the Doors, the greatest hard-rock band we have ever had, and through this book, we plunge deeply into the mystery that surrounds Jim Morrison. It is Batchelor’s warmth and compassion that ignites Roadhouse Blues and helps explain Morrison’s own miraculous dark fire.” – Jerome Charyn, PEN/Faulkner Award finalist

Splash page for Roadhouse Blues, designed by the eminent Brad Norr

“The most important book for Doors fandom since No One Here Gets Out Alive—and incomparably better! Grouped with Ray, Robby, and John’s books, this is the fourth gospel for fans of The Doors.” – Bradley Netherton, The Doors World Series of Trivia Champion and host of the “Opening The Doors” podcast

“Batchelor writes well and his narrative flows smoothly. His work is an insightful look at the Doors as creative artists and a compelling portrait of Morrison.” – Thomas Hauser, Pulitzer Prize and National Book Award nominee

“Smart, engaging…Batchelor has a technique and perspective that runs through his work: paint a vivid description of what happened, but then, more than a mere journalist or biographer, delve into how it happened and then why it happened. The what is documentarian; the how, and especially the why, require the kind of analysis with imagination that Roadhouse Blues provides.” – Jesse Kavadlo, PopMatters

Roadhouse Blues, published by Hamilcar Publications

JIM MORRISON'S LAST ALBUM, L.A. WOMAN RELEASED 53 YEARS AGO TODAY!

Blues- and Jazz-Infused Music From America’s Greatest Rock Band; Excerpt from Roadhouse Blues

The Doors released L.A. Woman on April 19, 1971, and Jim Morrison would be dead about 10 weeks later. The last album during his lifetime solidified the band’s standing and the singer’s legacy as an iconic figure in rock ‘n roll history.

Roadhouse Blues author Bob Batchelor with L.A. Woman

EXCERPT FROM ROADHOUSE BLUES: MORRISON, THE DOORS, AND THE DEATH DAYS OF THE SIXTIES (HAMILCAR PUBLICATIONS)

While incarceration loomed, Jim and the band got back into the studio. Ray, Robby, and John understood the seriousness of the situation. Densmore claimed that saving Jim was the band’s first priority: “Fuck, man, if we don’t get an album or two more out of Jim, so what? Maybe we’ll save his life.” They thought the creative process would reverse the spiral. The strategy had worked with Morrison Hotel.

Ironically, the album that would later be named after their adopted home—L.A. Woman—would be made without longtime producer Paul Rothchild. He hated the songs the band planned to use for the new record, telling them, “It sucks…it’s the first time I’ve ever been bored in a recording studio in my life.” At a dinner, according to Hopkins and Sugerman, Rothchild told them that they should produce themselves with Botnick’s assistance.

Although Rothchild may have disliked the tracks and sound, some felt that he still mourned Janis and was afraid to watch Jim’s journey down a similar path toward destruction. He also wanted a more controlled sound and believed the band couldn’t deliver, based on Jim’s commitment to partying and the tension that it caused with Ray, Robby, and John.

Rothchild had a point. Krieger remembered Jim’s drinking, saying, “When he got too drunk, he would become kind of an ass. It got harder and harder to be close with him.” The band kind of lined up on one side— on the other, Jim and his increasing number of drinking buddies and hangers-on. In his memoir, Ray called them “reprobates…slimeballs, and general Hollywood trash.”

Still, Botnick agreed to co-produce the next album, and the band went to work to perfect the demos and create several more. They set up shop at the Doors offices at 8512 Santa Monica Boulevard, which felt safe and secure for the band. With Jim across the street at the fleabag Alta Cienega Hotel, Robby remembered that the singer was reenergized by the process. Like the previous album, Botnick wanted to get a live feel. He said, “Go back to our early roots and try to get everything live in the studio with as few overdubs as possible.”

The Doors perform at the Hollywood Bowl

Continuing the creative process that had worked on Morrison Hotel, the band wrote songs together, often from poems Jim had been working on over the years. Adding to the new vibe, they used Elvis’s bassist Jerry Scheff and rhythm guitarist Marc Benno to add a deeper, more lush tone. Morrison sang in the adjoining bathroom to get the sound he wanted. To capture the desired live spirit, they didn’t do many takes and kept overdubs to a minimum.

Morrison’s concept of L.A. Woman centered on imagining the city as a sexy woman, his way to pay homage to the “City of Lights.” They also continued to explore what it meant to live on the West Coast and in the contemporary world. The sound was expansive, more alive than what they had done recently, despite the weight of Jim’s conviction.

The title track “L.A. Woman,” according to Densmore, epitomized the new sound, particularly Jim’s anagram for his name. “‘Mr. Mojo Risin’ is a sexual term,” the drummer explained. “I suggested that we slowly speed the track back up, kind of like an orgasm.” For Robby, it was the teamwork that pulled the best work from the band. “The title track was distilled from jam sessions, with all of us contributing equally,” he remembered. “Jim started with a handful of lines and added lyrics as he went while John kept it interesting with time changes and Ray and I harmonized on the melody and traded solos.”

In 2022, the editors at Bass Player named the bassline of “L.A. Woman” one of the forty greatest of all time. “True to the production values of the day, Ray Manzarek’s throbbing keyboard bass is all low frequencies and no mids, adding to its thunderous presence,” they said. That unforgettable sound “takes everything that was best about The Doors—acid-drenched psychedelia, a threatening blues edge and that era-defining drone—and anchors it all with a rock-solid bassline.” The enduring success of the song and its ranking among the best ever recorded is a demonstration of what the Doors could still create, particularly in their stripped-down, blues-infused era.

Despite the stress Jim experienced while putting the album together, the power of his vocals propelled the record. Morrison sounded lively—perhaps even sober—between takes. “I don’t follow orders. I’m just a dumb singer,” he playfully told his bandmates during one interval. Yet under Botnick’s guiding hand, songs like “L.A. Woman” came together, as the producer explained, with “a little bit of woodshedding.”

According to Robby, much of the beauty of “L.A. Woman” came from how he worked with Jim to bring the vocals and guitar into sync. “During the verses, I do these little answer lines to Jim’s vocals. That was just a natural thing he and I would do. He’d sing something and I’d respond.” The improvisation gave the song a timeless vibe, ramping up the power of the live feel. If you close your eyes, you can feel the sun on your face and hear the motor roaring as you’re chugging down the Pacific Coast Highway. The glint off the ocean is blinding, but the air is clean, and the grit of the city is in the rearview mirror.

As a tribute to the great jazz pianist and composer Duke Ellington, Krieger wrote “Love Her Madly,” whose title comes from the way the Duke ended his shows by telling audiences: “We love you madly!” It took the rest of the band, however, to work it into the Doors groove. “We workshopped it together,” the guitarist said.

Roadhouse Blues by cultural historian and biographer Bob Batchelor

For the band, working collectively always worked best. “We tickled them and cajoled them and pampered them, and whipped them into line,” Ray said of those tracks. “It was like the old days.” L.A. Woman was a testament to that collaborative spirit.